Editorial Sound Design & Mixing for Narrative and Brand Content
Editorial & Brand Audio
Fast, collaborative sound design and mixing for brand content, documentary, and narrative projects.
Cinematic Sound Design
Custom SFX, immersive soundscapes, and detailed sound editing for narrative and visual media.
Original Score
Emotive themes and suspenseful scores adapted to editorial pacing for film and narrative content.
Music Production & Mastering
Professional analog processing and mastering for polished, release-ready deliverables.
Sizzle & Energy
Designed for reels that grab attention — brand energy, cinematic punch, narrative momentum. Audio that makes your cut feel bigger.
Speed & Flexibility
Built for fast turnarounds without compromising clarity. Quick revisions, responsive communication, adaptable to evolving creative direction.
Dialogue & Impact
Clean dialogue editing, seamless transitions, impact moments that land. Audio pacing that matches editorial rhythm and enhances emotional beats.
What I Handle
Dialogue Editing & Cleanup
Location audio refinement, noise reduction, level matching, ADR integration
Sound Design & SFX
Custom impact design, transitions, ambiences, narrative sound storytelling
Mixing & Mastering
Full mix with music integration, loudness standards (LUFS), delivery specs for broadcast, web, and social
Music Editing & Scoring
Music bed edits, temp-to-final replacement, original score adapted to editorial pacing
Built for Creative Teams
If you're a director, editor, producer, or creative lead working on brand content, documentary, narrative shorts, sizzle reels, or pitch materials — and you need audio that's polished, collaborative, and fast — this is the lane.
I work in Pro Tools, communicate clearly, deliver on time, and understand the difference between "technically clean" and "editorially alive."
Let's Talk About Your Project
Whether you're planning a campaign, finishing a cut, or need audio help mid-production — reach out and let's see if it's a good fit.
Relax & Listen
Classical performances to accompany your visit
Get In Touch
Send a message and I'll get back to you with next steps.
About
"After 50 years in the music business, one tends to think you've just about heard it all, especially in the classical and acoustic worlds, where traditional boundaries of what sounds 'good' are fairly well‑defined. But then on rare occasion a Karter Brown comes along. His music is fresh and full of delightful sonic surprises, yet he uses traditional tonalities. He's far deeper and sensitive than others who resort to odd modalities and awkward rhythms in order to be "new" or "fresh". With his delightful imagination and musical intuition he's invented "new" within the bounds of pleasant tradition. He uses that to great effect in support of his primary compositional interest, film scoring. Setting mood and tension is a mainstay of that artform, and Karter does those very well. And yet, one can listen to a Graham composition without the film, and sit back in happy wonderment at what you're hearing. Chromatic and rhythmic easter eggs abound; each one is an unexpected delight. Devote four to ten minutes to one of his compositions; it will be time well spent. Go back for additional listens to savor again what you heard, or pick up on the things you missed the first time."